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Normally he signed the backing paper and sometimes added the name of the sitter. In this instance the backing paper is missing. Unfortunately, the probable reason for this is that at some stage the miniature was sold by a descendant who was embarrassed about selling the miniature with their ancestor's name on the reverse and so removed the backing paper.
Although the portrait was painted in Edinburgh, Scotland, Thomson was born in the United States in Savannah, Georgia and has therefore been classified as an American artist in this collection.
Most of Thomson's earlier like this portrait are oval, however as this one is oval on a rectangular plaque, it may mark his transition to a rectangular style as the fashions for miniatures changed. He tended to show a sitter with a solemn expression, but this young lady has a hint of a smile.
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Thomson's father was a Government official who lost his position after the War of Independence and then retired to England on a small pension.
Thomson learned to paint portraits and miniatures in London but later moved to Edinburgh. There he married Helen Colhoun on 12 May 1797, He exhibited many times and was recognised as an accomplished artist. He became a member of the Royal Scottish Academy in 1829 and was even offered a knighthood, but this was declined.
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The sitter is unknown. 1276
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